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John Gary "Catch a Rising Star/Encore"

this crooner (rated debatable, as I will explain later, to entertain no) was known for an album that had a friend song selected by Garci (yes, the same, the director) recalling their guateques juveniles. Apart from one side devoted almost exclusively to heavy Paul Anka, I discovered several gems: one was a "Holly McKerel" of Little Richard. I've never found that song performed by Queen and I have my doubts if it is poorly recorded and credited to Richard when it's some wannabe wild vocal style of this. The other was a beautiful version of "Unchained Melody" by one John Gary. Look, there have been versions of this song and see that there is bad and redundant. But this equals that of the Righteous Brothers and that's saying a lot.

centuries without ever I hear another song misera more of this kind, not even a mention in passing in a music magazine. Nothing but a rumor that Garcia said in the text of the LP (which Gary had had an affair with Nancy Sinatra) the most absolute of the gaps. Until I got online and download some songs from it. Not many, since not found a whole LP, but loose songs included in any compilation of hits this year that this album was edited. Miraculously repeated the success with another song versioned by the Righteous Brothers, "Ebb Tide" * (one of the best melodies ever written) and managed to blow a devastating sadness to a decent song (so sad, more than anything) of a Nick Drake "Softly as I leave you ". The history of this song is funny. It is said that the letter is made entirely of the letter that a sick man left his wife the night he felt that would be his last hours. Reads:

Gently, gently abandon you
For my heart would break if you woke up and you saw me leave
So abandon you gently
Before you throw me under
Before that ask your arms I stay
For an hour or another day

After all these years
I can not stop the tears from falling
Gently, so gently
As I leave you

Another thing you should about Gary is that in the case of the seventies Elvis, there is a live version where Gary and Elvis sing a duet. Elvis is reciting the lyrics, while Gary sings. Although my bad English because I'm not sure.

Well, Staying within the content of these disks ( "Catch" contains versions of "Ebb Tide" and "Unchained Melody" ) The first thing that attracts attention is the clean vocal style of Gary. It has a light tenor register (this is not a tenor with little weight or meaning of the second, but an agile tenor with a voice for the treble flourishes) with three octave range and singing taste awful. He knows when to stay sober when slipping into a falsetto that put the beautiful art ( hear this the end of "Tender is the night" or "And this is my beloved" ) as shown bombastic and sing with full voice. And besides being a consummate balladeer ( his version of "Stella by starlight" not of this world) so overboard with the hottest rhythms like swing "Ol 'Man River" or the calypso in "Take me in your arms" . That end in a delicate falsetto so characteristic of Gary from a technical point of view could even be a crutch to avoid giving high marks to his chest, which is what seems to suggest the instrumental crescendo, but it gives a dramatic impression of a man who because of the emotion can only hold a small voice that add rather than subtract.

initially claimed that Gary is not a crooner but that these have passed into history under Sinatra's voice (which is not a crooner), are actually types "murmuring" (crooning) sweetly, in low voice, using the virtues of microphone to amplify his bit voice. Sinatra and Gary are scarce volume types or registration.

* collect versions of this song, my favorite: Righteous Brothers

John Gary Arthur Prysock

Al Anthony, the wizard of organ (organ version with Uranus delirious from leaving the "Sgt Peppers " at the height of a disk of Xuxa as psychedelic experience)
Setsuo Ohashi, steel guitar instrumental version hawainas

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Darius "Darius II" (1971)

If their debut was the perfect mix between " Forever Changes" and "Four Sail "almost grazing the perfection of the first, this second disc is just as good. Little luck was Darius, despite the magnetic of the proposal (its developments psychedelic never lose the north) and recorded with musicians including Elvis was not selling discs. This album, recorded in principle for the continuation of his debut, likewise include material recorded in previous years (67 to 71). Well, it's a unreleased album. It shows a relaxation from the first disk, the more nervous . Here develops a kind of soul-tinged dream and dreamers, there are better shows that precious "I love you Now " where the orchestration seems to arise from sounds off. Or that the more grandiose version success of Barbara Lewis "Hello Stranger " where Darius gives a lesson on how to sing in a falsetto female immersing the beginning to make the best of its velvety record (has a really nice voice) in the final crescendo. This orientation soulful

noticeable from the beginning with " Do you get the feelin 'I " or that leave the " I've been loving you too long " Otis Redding has " 44floor . " The sound of Arthur Lee keeps things like "New start " and other material you may define as a psychedelic crooner.

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Flamin Groovies "Teenage Head" (1971)

says the booklet that comes in, probably written by the cousin of one of the components of the whole, that the same Mick Jagger said that this album was better than her "Sticky Fingers " . Well, Mick has always released many bullshit. Not even satisfied with the greatness they achieved in "Exile On Main Street ." The fact is that this record of the Groovies not smell anything like the greatness of these albums stonianos. Then, lest we forget, were the best in him. Unbeatable.

In fact, the record before us is much more interesting when they forget to be a second-Stones (Robert versions Johnson, put any question of that broken country to the "Dead flowers " as "lights City" and even helps Jim Dickinson). Do not measure up, no voodoo ooze as the British. And who is the manager who requires versioning groups to Randy Newman? This little guy is a mess. Better results when the boogie Estonian veers Captain Beefheart as in "High flyin baby" or "Teenage head " (those riffs, the intonation to Howlin Wolf). Or when they get to recreate the productions of the Sun (the echo) "Evil hearted ada" it seems "Mystery Train " singing by Charlie Feathers.

But in order to be this disk is not the material that was released in its original edition. No, that does not happen by mere anecdote. But the reissue of 99 of Bhudda Records put as a bonus seven versions of classics from the fifties that give true meaning to this fixture. The version of "Louie Louie " makes you forget how much you hate that monstrosity emetic Iggy Pop version in the 90's. Speaking of the Iguana. In "Shakin all over " bridge the gap between the Pirates and the Stooges' Fun House (spitting at that rate of " Tv eye" at the end). Do not forget to recreate Slim Harpo (! Like the Stones! But here if they get), Buddy Holly, a "Walking the dog " passed by lining the debuts versions of the Stones and Aerosmith and a " Carol" by Chuck Berry. This material if turned on, if it sounds dirty, electric, to the rhythm of the swamp. The level of any real rock band you can imagine. Sure that they also kissed the ground she walked Mick Green (The Pirates guitarist, author of "Shakin ") as Dr. Feelgood.

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Creed Taylor Orchestra "Panic" (1959)


This record of the owner of the record label CTI, as previous Talk Talk, is more interesting than it sounds that the composition yes. The album is a bizarre musical narrative that seeks to inoculate fear and tension in the listener, as preventing the dangers that await you around the corner (gas leaks, crazy drivers, heart attacks and stuff). To this end employs a jazz combo and recorded incidental sounds specifically for the piece. It is easier if we hear and see what happens with some compositions.

In "You're driving me crazy " sounds like a kind of spring, I guess I represent is a kid whose behavior annoys insidious gradually during the piece to their heroes. The happy spring contrasts with the calm and relaxation that transpires from the melody of clarinet. In other words, are the Parents enjoy a splendid summer day and the damn grew up not to make noise with some diabolical toy. Set at the end, as it gets put tension on the previously pleasant melody, when the guitar enters the vibraphone scores, while the clarinet melody is accelerating and seems out of tune.

The sound of a person breathing intubated in a hospital is the first thing you hear in "The operation ." In this issue I like the sound reverberating guitar. In " Wreck of old 98" tells us as it is for the motor car to a guy after saying goodbye to his wife. Musically, what interests me most is the time that "tells" stop the engine, bubbling sounds of organ. "Out of this world " is one that has more value independent music, a melody tinged with mystery and nostalgia. Set on the background noise, which at the end of the piece is more evident, it sounds like someone was welding the bottom of the track! I wonder how the hell did he get that effect. " A shot in the dark " is another of these stories collected best musical. Or the tight end is achieved in " No smoking" where it seems that at any moment something is going to explode due to gas leak, but ....

I warn you, there is an album of songs and some parts are quite ridiculous. I really like how they manage to sonically illustrate so that you can imagine the scene and take some of the instruments used in its most common uses for using them to bring more color and tension to the music melodic and harmonic developments waiting for them. And if you like David Lynch film I have to bring the concept of this album, which continues to be a little "Twin Peaks " or "Blue Velvet " display that hides away the land of dreams After an idyllic setting.

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