Although his solo debut reveals a freshness that makes it very enjoyable, since by then the chameleon has refined its arts and shooting in all directions in search of success or as little, carve a hole (which is) in the effervescence of swingin London. Are their next albums he recorded as the glam icon. Especially this "Hunky Dory" from conception pop "The Man Who Sold The World" (1970) which pointed to a sort of hard rock with some symphonic proto leave.
Noting that the previous album's classic title song was just acoustic sonorities, the more pop hooks and length without breaking pop standards. Bowie, insists in this pathway, without neglecting the experiments. If the key is to write a couple of hits to give way to denser content, Bowie is applied to the work from the beginning: "Changes" with its refrain to stuttering "My Generation" . The band that accompanies it stabilizes at around Mick Ronson (if there were justice in this world would be ahead of shooting stars as Jeff Beck or Eric Clapton) that apart from being an ax with a written instrument inspiradisimos orchestral arrangements with grace Jack Nietzsche either a (proud of the "Changes" or "Life on Mars" ). Rick Wankerman piano is fairly restrained for what was then the sleepy race (in the insufferable Yes or alone, even worse). Precisely on the piano is structured "Oh you pretty things" .
Piano and guitar are all you need to Bowie to give free to a kind of musical haiku "Eight line poem" , a little something something less where you do not know if Dylan imitating Bowie with admiration or the laughs with the nasal soniquete the kinship with George Formby. There is nothing more than something to kill time until reaching the peaks of another album, "Life on Mars" . Bowie was so obsessed with "My way" I get to adapt to market Anglo-Saxon (although the version we know is the letter of Paul Anka) I decided to do a song inspired by this song. In my opinion he rings around the original. Aside from orchestral work inspired by Ronson, Wankerman give your best interpretation on piano and Bowie fits a surreal lyrics and gives us a vocal tour de force (the changes of tone from bass to treble, the expression that goes from boredom to sentimental indulgence second to second). "Kooks" not considered as being nothing special, but I like it. It is dedicated to the newborn son of David, mixing something in a quick change air cabaret and English.
"Quicksand" more complex in structure maintains the tone of the previous album gives way to one of the funniest moments disc "Fill your heart" . A song Biff Rose made for the Tiny Tim sing. We must not ignore the interest of Bowie for the music freaks, see Legendary Stardust Cowboy, or the fantastic duo that carried on television, accompanied by the countertenor Klaus Nomi (incidentally, a duet between Nomi and Tiny in the sharp looking more impossible would have been tremendous .) Another rarity, "Andy Warhol" (Bowie and pointed their networks to the Factory, the Velvet Underground and Lou Reed in particular. Remember Bowie and versioned "White Light / White Heat" before the group knew what to my neighbor). Delightfully retro futuristic sounds take us to a song structure folkie minima (one strum of acoustic and goodbye) with a letter asimimiso, simple. Despite this, the song has a hypnotic ability that does not negligible. Bowie works one hundred percent even when not taken seriously. And after Warhol, pays tribute to another of his influences of the time in "Song for Bob Dylan" imitating the voice of the American way. It's funny how it carries the mannerisms of Dylan mix with theirs (the baroque piano both Bowie likes to take her to abandon her Wankerman by Mike Garza even more virtuous.) Despite my avowed hobby but to whom is dedicated the song, I really like this. More reminiscent of previous album found in "Queen Bitch" more rock than the disk (not just walking sound little hard on "The man" but here I am refer to rock'n'roll, you just have to listen to the groove that is the issue) reveals the master of things like stitches "Sufragatte city" or " Moonage Daydream ". Curious Bowie is considered as one of the most cynical of rock when it is able to undress as he does in "The Bewlay brothers" talking about the complex relationship with his older half brother (with concerns that neo-Nazis with Bowie himself during his time flirting glam, long stays in mental institutions since his mother's family was prolific in individuals with severe mental disorders who committed suicide ... until they fell on the tracks of a train). Certainly it is cold and has a characteristically British phlegm, but does not seem more distant than a Dylan, who has always played red herring (something must be done to entertain the listener when your music is repeated over forty years) . A great song that could have signed Barrett of Pink Floyd's debut.
DOWNLOAD LINK:
http://rapidshare.com/files/115951086/051808dbhd.rar
Noting that the previous album's classic title song was just acoustic sonorities, the more pop hooks and length without breaking pop standards. Bowie, insists in this pathway, without neglecting the experiments. If the key is to write a couple of hits to give way to denser content, Bowie is applied to the work from the beginning: "Changes" with its refrain to stuttering "My Generation" . The band that accompanies it stabilizes at around Mick Ronson (if there were justice in this world would be ahead of shooting stars as Jeff Beck or Eric Clapton) that apart from being an ax with a written instrument inspiradisimos orchestral arrangements with grace Jack Nietzsche either a (proud of the "Changes" or "Life on Mars" ). Rick Wankerman piano is fairly restrained for what was then the sleepy race (in the insufferable Yes or alone, even worse). Precisely on the piano is structured "Oh you pretty things" .
Piano and guitar are all you need to Bowie to give free to a kind of musical haiku "Eight line poem" , a little something something less where you do not know if Dylan imitating Bowie with admiration or the laughs with the nasal soniquete the kinship with George Formby. There is nothing more than something to kill time until reaching the peaks of another album, "Life on Mars" . Bowie was so obsessed with "My way" I get to adapt to market Anglo-Saxon (although the version we know is the letter of Paul Anka) I decided to do a song inspired by this song. In my opinion he rings around the original. Aside from orchestral work inspired by Ronson, Wankerman give your best interpretation on piano and Bowie fits a surreal lyrics and gives us a vocal tour de force (the changes of tone from bass to treble, the expression that goes from boredom to sentimental indulgence second to second). "Kooks" not considered as being nothing special, but I like it. It is dedicated to the newborn son of David, mixing something in a quick change air cabaret and English.
"Quicksand" more complex in structure maintains the tone of the previous album gives way to one of the funniest moments disc "Fill your heart" . A song Biff Rose made for the Tiny Tim sing. We must not ignore the interest of Bowie for the music freaks, see Legendary Stardust Cowboy, or the fantastic duo that carried on television, accompanied by the countertenor Klaus Nomi (incidentally, a duet between Nomi and Tiny in the sharp looking more impossible would have been tremendous .) Another rarity, "Andy Warhol" (Bowie and pointed their networks to the Factory, the Velvet Underground and Lou Reed in particular. Remember Bowie and versioned "White Light / White Heat" before the group knew what to my neighbor). Delightfully retro futuristic sounds take us to a song structure folkie minima (one strum of acoustic and goodbye) with a letter asimimiso, simple. Despite this, the song has a hypnotic ability that does not negligible. Bowie works one hundred percent even when not taken seriously. And after Warhol, pays tribute to another of his influences of the time in "Song for Bob Dylan" imitating the voice of the American way. It's funny how it carries the mannerisms of Dylan mix with theirs (the baroque piano both Bowie likes to take her to abandon her Wankerman by Mike Garza even more virtuous.) Despite my avowed hobby but to whom is dedicated the song, I really like this. More reminiscent of previous album found in "Queen Bitch" more rock than the disk (not just walking sound little hard on "The man" but here I am refer to rock'n'roll, you just have to listen to the groove that is the issue) reveals the master of things like stitches "Sufragatte city" or " Moonage Daydream ". Curious Bowie is considered as one of the most cynical of rock when it is able to undress as he does in "The Bewlay brothers" talking about the complex relationship with his older half brother (with concerns that neo-Nazis with Bowie himself during his time flirting glam, long stays in mental institutions since his mother's family was prolific in individuals with severe mental disorders who committed suicide ... until they fell on the tracks of a train). Certainly it is cold and has a characteristically British phlegm, but does not seem more distant than a Dylan, who has always played red herring (something must be done to entertain the listener when your music is repeated over forty years) . A great song that could have signed Barrett of Pink Floyd's debut.
DOWNLOAD LINK:
http://rapidshare.com/files/115951086/051808dbhd.rar
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