The fourth disc in the set Boston, considered the absolute masterpiece of the group and new collaboration with producer Jack Douglas , which still has its good performance (Is Aerosmith the whole of its rope, that is, American hard rock, best place?). The album follows the line of the former "Toys In The Attic" (1975) but as the very title the album suggests, even more rock, just taking a breather at the end com " Home tonight."
The start could not be better, the tension and the percussive guitar riffs that break with the voice of Tyler. The pace moves with the acceleration and the precision of a freight train (there are moments where it appears a percussion that sounds like a horse at a trot and finally appear until the crack of a whip). "Back in the saddle" is one of my favorite songs by Aerosmith, ideal to open a concert (as shown "Live!" Bootleg ", 1978). Tyler shows his stature as a vocalist with strong falsetto that he uses when he sings "runnin'high ." It always seems to go about voice. Linked well with "Last child" where Tyler demonic voice introduces a funky song and vacilona. Worthy of a Muppet posts Benzedrine. The fantastic riff Perry imitates the sound of a brass instrument and oozing poison when Tyler sings the final chorus. Hearing these two songs in a row is a joy.
"Rats in the cellar" with its fast pace is another success. A fast and very catchy melody and is allowed to shine briefly Tyler on harmonica, the style Plant (eg "Nobody's Fault But Mine" ). "Combination" is a very careful vocal melody, with Tyler singing with uncharacteristic restraint in, but it works very well. The finish is spectacular, with the harmonica, Perry holding notes with your guitar and the rhythmic base fuming, these percussion breaks seem a Brazilian festival. We must highlight the work of Hamilton amphetamine throughout the media, combined with percussion Joey Kramer punctuate some songs as the best machinery chugging funky.
"Sick as a dog" appears cousin "Rats in the cellar" but slower and more affordable to a point in fact was single. Not a bad song, but with "Lick & Promise" is my least favorite of the disc. But do not worry, here comes "Nobody's fault" another disk tops and a very accomplished intro, the way the theme that opened the album. It sounds like something from Led Zeppelin and Black Sabbath. Not jevi, Aero have too much groove to fall into such profanity, but if you have a metal point. Although the great chorus (" Sorry, I'm so sorry ) show that they are much more melodic metal English teams. The effect of a chorus so catchy and cool (I repeat, are stuck in the memory and work very well in contrast to the rest of the song) intertwined in rhythmic bases remains in "Get the lead out" another incursion into the funky. The letter includes a fragment of an old song Hank Williams "Hey Good Lookin '" . And after "Lick & Promise" reaches the end with a ballad, "Home Tonight" where Master Aero come with the territory of Badfinger and Raspberries.
DOWNLOAD LINK:
http://rapidshare.com/files/90404248/RM_AR76.rar
The start could not be better, the tension and the percussive guitar riffs that break with the voice of Tyler. The pace moves with the acceleration and the precision of a freight train (there are moments where it appears a percussion that sounds like a horse at a trot and finally appear until the crack of a whip). "Back in the saddle" is one of my favorite songs by Aerosmith, ideal to open a concert (as shown "Live!" Bootleg ", 1978). Tyler shows his stature as a vocalist with strong falsetto that he uses when he sings "runnin'high ." It always seems to go about voice. Linked well with "Last child" where Tyler demonic voice introduces a funky song and vacilona. Worthy of a Muppet posts Benzedrine. The fantastic riff Perry imitates the sound of a brass instrument and oozing poison when Tyler sings the final chorus. Hearing these two songs in a row is a joy.
"Rats in the cellar" with its fast pace is another success. A fast and very catchy melody and is allowed to shine briefly Tyler on harmonica, the style Plant (eg "Nobody's Fault But Mine" ). "Combination" is a very careful vocal melody, with Tyler singing with uncharacteristic restraint in, but it works very well. The finish is spectacular, with the harmonica, Perry holding notes with your guitar and the rhythmic base fuming, these percussion breaks seem a Brazilian festival. We must highlight the work of Hamilton amphetamine throughout the media, combined with percussion Joey Kramer punctuate some songs as the best machinery chugging funky.
"Sick as a dog" appears cousin "Rats in the cellar" but slower and more affordable to a point in fact was single. Not a bad song, but with "Lick & Promise" is my least favorite of the disc. But do not worry, here comes "Nobody's fault" another disk tops and a very accomplished intro, the way the theme that opened the album. It sounds like something from Led Zeppelin and Black Sabbath. Not jevi, Aero have too much groove to fall into such profanity, but if you have a metal point. Although the great chorus (" Sorry, I'm so sorry ) show that they are much more melodic metal English teams. The effect of a chorus so catchy and cool (I repeat, are stuck in the memory and work very well in contrast to the rest of the song) intertwined in rhythmic bases remains in "Get the lead out" another incursion into the funky. The letter includes a fragment of an old song Hank Williams "Hey Good Lookin '" . And after "Lick & Promise" reaches the end with a ballad, "Home Tonight" where Master Aero come with the territory of Badfinger and Raspberries.
DOWNLOAD LINK:
http://rapidshare.com/files/90404248/RM_AR76.rar
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