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Byrds "Preflyte Sessions" (1965)

This double cd albums wholesome " Preflyte " and "In the beggining ", plus some extra outlet, which is dedicated to collecting the demos they recorded with producer Jim Dickson before signing a contract with RCA. By having this firm policy of employing only producers who were under payroll, poor Dickson was removed from within the group.

contain Beyond test the group's evolution toward that sound as distinctive and novel explosionaria with their debut, this album is enjoyable in itself. It contains great songs, some inexplicably unpublished and are recorded in a professional studio (the studio itself by Jim Dickson who was to be a saint and I'm not surprised that give food and wrapped in bed). Come on, do not sound at all inexperienced. More naked on his debut, perhaps less personal, but proud.

I used this collection to claim effectiveness as a drummer Michael Clarke, who was inducted into the group for their spunky Rubiales painted when the rest of the group found it on the beach playing the bongos (and feet would like the thousands of black friends the ethnic and multicultural that plague our country have had such an opportunity.)

The boy apparently had not played drums in life and had to learn on the fly. Neither Hillman was bearish, his was the guitar and especially the mandolin, but do not cost as much converted to an instrument of the same family. Clarke is not an octopus, of course, but has very good taste and instinct for touching it is a little or a lot, contribute positive elements to the song. This ties in well with the simple but subtle style of the rest of the set. The best compliment you can take is that when you replace Jim Keltner, not noticed an improvement (even worsened) in the overall sound of the group.

In terms of content, apart from heavy versions of Dylan and primitive recordings of pieces that would go after the group's first two albums, we have several gems that have remained unpublished until these discs removed and archaeological belong to the exceptional and prolific pen of Gene Clark, who was a monster:

" The only girl I adore " an Everly Brothers-style piece, with the Byrds simulating the vocal games of the two brothers. "You Showed Me " which then would record the Turtles, it's these songs that by themselves are worth purchasing the disc containing it. An absolutely perfect and catchy melody like few others. The accelerated " You movin '" to go to find out what the hell was rejected when it would fit perfectly for your debut with "It's no use " and is a perfect piece to animate a concert or similar roost. Or the superb "The airport song." Seeing as some mediocrity which disfigures the first two albums, that song hurts so good how are you were not included.

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Pretty Things "Emotions" (1967)

Well if it's not my eagerness to be contrary, but is my favorite album of all British. And they do not like either of them. The producer, Reg Tilsley, put metal strings and without their consent and were not satisfied with the result. In this third album, leaving the ferocity of their previous two albums and take the path that takes them to " SF Sorrow" (1968) and " Parachutes" (1970) considered the summit of the whole.

This was the first album of Pretty I had. Then I did with "SF Sorrow " disappointed me. Today I like, but eventually I found a record of production. That is, many different elements to hide the lack of songs about regular basis. A defect, to cite an epitome disk where the production masks the songs, which happens to some critical acclaim as "Ok Computer " (1997) by Radiohead. By the way, "Paranoid Android " from that album of Radiohead copy the riff from "In the square " from "Parachutes ."

guess I should be a shock for fans of the group, after the first two albums devoted to rhythm & blues that left the Stones like the tuna, although copying a bag (with that extra bit of rudeness ), listen to dive in these records so melancholy, to a certain point, sound level, equidistant between Love (how to use the arrangements) and Kinks (cabaret music, swing and the contents of the letters, besides a version of " A house in the country " of "Face To Face " 1966, included in the extras), but as a very personal record. Many of the songs seem miniature, almost skeletons of song and earn enough thanks to the additive noise to which they are exposed. Showing weakness in those moments as creators of the set. The winds were blowing badly for the groups of his rope and things were changing very fast in the pop scene for a group like them survive if changes direction. So, this is an album rushed and forced, the Pretty have to write songs in a style that are not prepared and as not relying too heavily on its creative engine, are given a producer garnish songs. Unexpectedly, the play they went well.

heard the record, the truth that one can not imagine these songs without the arrangements. For example, the acoustic "Death of a socialite " (which according to them was inspired by the lavish and thick " A day in the life " by the Beatles! Even remember much more to "Death of a clown "by the Kinks) without these metals would be a song too spartan and at no time the brass section is too intrusive, but provides pace and variety to the piece. Another example could be the monotony with which they performed "The sun ," a piece with a certain air to the first Animals that did not use the orchestration to create those cardboard melodrama stone so aided when the rock / pop uses the resources of the music called serious. But who benefits from these as they would a song too flat "plain." " There Will Never Be Another Day " is a return to its origins taking advantage of the addition of metals to give a boost to the matter of rhythm.

One of the jewels of the album is "House of ten ." A languid slow song embellished by harp and strings creating a very melancholic atmosphere. The best of album next to " Growing in My Mind" with a very Stones on the stage of " Aftermath" (think "Out of Time " or "Take it or leave it"). In fact the disc is an experiment in pop Pretties sophisticated in the way of the Stones "Between The Buttons " of the same 67. " Photographer " sounds like a version of "Subterranean Homesick Blues " Dylan turned into rhythm & blues to metal, a bit like a version of Harry Nilsson made later, but not half the raw boogie Nilsson and Lennon created on your hard together. And the final piece "My time " again stressed about my impression. Would this song a memorable if not for the instrumental accompaniment that provides Tilsley? I insist, is too restrained, without stifling the songs.

EXTRA MATERIAL: We mentioned version of the Kinks, which seems higher than those to be more raw and driven, but does not contribute almost nothing to the original. And no arrangements Tilsley versions of various songs from the album, where you can see that clearly won the final treatment.

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Byrds "The Notorious Byrds Brothers"



My favorite album, along with the debut of the ensemble. Too bad you do not have a cover as pretty as his debut with the group that snapshot taken with the "fisheye" camera. A very original picture, and not only in terms of photographic technique, but in the attitude displayed by the group. Neither are some tacky as the Beatles or the Beach Boys, or exhibit a menacing like the Rolling Stones. Is more distant, more intellectual. In short, this album cover before us is an insult to the discordant element, but with undeniable talent that is David Crosby. Fired soon after the first sessions of recording of this work.
Despite their exclusion and traditional air cover, Crosby and their vanguard ways are even more prevalent than in the previous disc in the set. Since, McGuinn and Hillman regained some songs that I had prepared for the album Crosby, co-signed by fraud and included on the album. Although it is fair to say that the treatment that was given was exalted.

Michael Clarke also expelled, the poor increasingly painted least within the group. Or composed, and seemed to like the musical dimension that was taking the group. At least he included on the cover. Although the battery was placed under the professional hands of Jim Keltner.

If the previous record was the most heterogeneous group so far, this part of this lovely spread, bringing together such diverse sounds in the same composition if necessary. Conceiving a record that is a major work of pop art, although the album remained in disgrace until recently. Not the titles that have the fan when it first approached the Byrds. It is a shame because it should be. " Notorious" is the first Yankee psychedelic " The Piper At The Gates Of Dawn " (Pink Floyd, 1967). The bright colors that will color the sound its British counterpart to escape the gray England, is replaced in the case of the Byrds and the blue skies and the lush countryside of the sunny California. The feeling of fullness that overwhelms this album, underground tour of a bleak fate (an impression that tells us that never again be so young, so innocent so happy) is similar to the exaltation vital that we find in a masterpiece like "Forever Changes " (67) of Love. As I said at the beginning of the review, this debut album and are my favorite albums of the Byrds. For different reasons. His debut for the energy and freshness that follows, "Notorious " it is by its sonic excellence, is the highest point in the race together. Justice is to mention the fantastic production of the album by Gary Usher. Usher is a perfect balance in "Notorious ." Balance between production complex with several overlapping layers sound with intricate details but this clearly subtract the song and harmony between different musical styles that run the same piece, sometimes playing simultaneously.

Opening the album is a thing of the remaining original duo, "Artificial energy." Contains a saturated bass sound and guitars, passed through a fuzz pedal, a trumpet and a mention in his letter to "Ticket to Ride " by the Beatles, this ode to speed. The fantastic production of Usher gives the theme a touch closer to the Beatles of "Rubber Soul " (65) and "Revolver " (66). " Goin'back " is the song that replaces original disk " Triad" (though it appears in the bonus) and that caused the debacle that ended with the expulsion of Crosby, not wanting to participate in this recording. It is a version of Carole King speaks about the loss of innocence, a little like "My back pages " Dylan, what version on the previous album. It contains a lovely vocal line sung softly (very Crosby but, again, is not involved), a shy and glockenpiel orchestral arrangement that gives the composition a child touch and distant in time. " Natural harmony" with their voices like filter to what would later Black Sabbath "Planet caravan, "the steel of the collaborator Red Rhodes and moog glider in the verses, which contrasts with the rhythmic thrust (that battery as a group own beat) chorus.

" Draft Morning is Crosby, although Hillman and McGuinn was stolen. But are exempt from conviction for such exalted treatment that endow it. One of the best tunes he composed an angry David Crosby for a song that denounces the inhumanity of war. I spare the middle part Usher adds much to the style of what they do in "My World Fell Down " Sagittarius (with better results in the song of the set of Boettcher), but the melody is beautiful. Usher is very appropriate in this album. Except for this detail.
"Was not born to follow " is the second composition of Carole King to versions on the disk. Interpret a song like an outpost of country rock that would practice on their next album, "Sweetheart of the rodeo " but with much better results. The central section that starts the tone of the song, with Clarke and McGuinn guitar intertwined and phaser effects, is impressive. I insist on emphasizing the delicate balance that keeps the disc, can happen, for example, a fragment psychedelic guitar riffs to a country with the most natural. A heterogeneous disk to schizophrenia, but endowed with a great internal cohesion that unites all its richness of sound in an indivisible whole. " Get To You" is another gem. A beautiful vocal melody accompanied by a string section that included "school" with great results, Rhodes steel guitar with a country fiddle. In the chorus, some distorted vocals are in the foreground, while McGuinn seems to sing in the distance: "That'sa little bit Better "

" Change is now" is the only song on the album that Crosby participates, what which shows in the fantastic vocals in the high register. Following a similar melody part to the previous album tracks, a steel guitar and a rhythm Trotter to give a country feel to the track (which is better than all the "Sweetheart of the rodeo " together). The mid-section instrumental song with Crosby and Clarke to duel with the electrical leads are fantastic way to more acidic sounds of Hendrix himself. Attention on this part to support that provides a great Hillman on bass.
"Old John Robertson " was a former single and already appeared among the extras the previous album. Also include it here, caused a tremendous anger Crosby, relegated it saw as its (wonderful) compositions include songs and edited. Even well, is great. "Tribal gathering " Crosby. The vocal melody, very complex, composed inspired by the Four Freshmen (a very important group for the Beach Boys). It sounds to me also to the sunshine pop of groups like the Association. It has a bright taste stale, almost lounge music in contrast with that planner instrumental section driven by guitar Clarke.Es incredible wealth of music that have these songs from the Byrds especially on this record, are capable of unifying ideas and almost opposite styles , without sounding in any way to hybrid report (as in many acid rock formations of San Francisco). The same song, " Tribal gathering "three-minute acidity exceeds anything the horrible Grateful Dead (group scorn and punishment with the whip of the most abysmal indifference, not having a single hard copy of them in my collection. Normal to the absurd Appointments of Bob Dylan backing band: they are just sleeping pills) and also is catchy.

In "Dolphin's smiley " can smell the ocean reach California. And listening to the lovely guitar effects of McGuinn, with which perfectly mimics the treble sounds emitted by dolphins. It is also very imaginative middle section with the presence of a moog as well as those bells end to create an effect like the splash of dolphins in the sea.
Unfortunately, the final "oddissey Space", the less able. Although fit perfectly in the context disk. Do all the morons who get involved with "Mind's garden " Crosby, swallow this Peñaza? Crosby normal goats not let him get his " Triad," which is infinitely better than this crappy song. EXTRA MATERIAL

"Moog Raga " as the last thing McGuinn and his love of tinkering with the moog. The song is even more than what the title describes a raga-built on-moog sounds of a sovereign pre bodriazo techno.
A "Bound to Fail " instrumental. Is a composition of Mike Brewer, Hillman would recover for their master project with Stephen Stills, Mannassas. Appear in a superior version on the debut of these (of 72) entitled as a whole.
The damn song, "Triad " was rejected by its lyrics about a menage a trois (Crosby with two women, in particular, was no fool) and its similar sound to the music that was on the Coast Western United States at that time. Crap, is a splendid song of Crosby in his minimalist line (two chords), with a fascinating vocal line, performed incredibly by the author, with the influences of Indian music that had led the group. Although inexplicably rejected the Jefferson airplain Byrds recorded it (courtesy of Crosby himself) in a power much lower than included here, in his "Crown of Creation " (1968). The advances we Crosby records his magnificent solo debut " If Only I Could Remember My Name " (1971), the best album by a solo Byrd.
of curiosity, was named to the fabulous third album of Big Star, specifically the line of his letter " Sisters, lovers, what a brothers."
appear again, in different mixtures, " Goin'back "(without orchestral arrangements and vocals in the foreground, allowing the glockenpiel which is not very audible in the official version of the album gain greater presence) and" Draft morning "with an ending different from the official version. And a demo instrumental of what would be " Change is now", here entitled "Universal Mind Decoder " without the involvement of Clarke (replaced by McGuinn in his personal and magnificent style). As hidden cut short excerpts succeed recording sessions of various songs.

Download Link: No herein that the magnificent American justice or acting in the JURISDICTIONS This blog has no better thing to do to touch my balls and I have removed this post, now back up. Anyway, it's easy to find on google. Just write the name of the disc and adjacent quotation marks, separate and outside the quotes keep trying with the names of the most popular pages download (rapidshare, megaupload, etc ...). Above you deleted the entire entry, not just the link, as punishment, regardless of a shit how long you've been writing your post. Fucking trash country Protestant and fans.